Semiotica Peirce
Peirce On Signs
| Introduction |
|---|
| 1 An Essay on the Limits of Religious Thought Written to Prove That We Can Reason upon the Nature of God |
| 2 .A Treatise on Metaphysics. |
| 3 On a New List of Categories |
| 4 Questions Concerning Certain Faculties Claimed for Man |
| 5 Some Consequences of Four Incapacities |
| 6 Grounds of Validity of the Laws of Logic: Further Consequences of Four Incapacities |
| 7 .Fraser’s The Works of George Berkeley. |
| 8 On the Nature of Signs |
| 9 The Fixation of Belief |
| 10 How to Make Our Ideas Clear |
| 11 One, Two, Three: Fundamental Categories of Thought and of Nature |
| 12 A Guess at the Riddle |
| 13 James’s Psychology |
| 14 Man’s Glassy Essence |
| 15 Minute Logic |
| 16 Sign |
| 17 Lectures on Pragmatism |
| 18 .“Pragmatism” Defined. |
| 19 Prolegomena to an Apology for Pragmaticism |
| 20 The Basis of Pragmaticism |
| 21 A Neglected Argument for the Reality of God |
| Chance, Love, and Logic Philosophical Essays Proem The Rules of Philosophy |
| Part I Chance and Logic (Illustrations of the Logic of Science) |
| The Fixation of Belief |
| How to Make Our Ideas Clear |
| The Doctrine of Chances |
| The Probability of Induction |
| The Order of Nature |
| Deduction, Induction and Hypothesis |
| Part II Love and Chance |
| The Architecture of Theories |
| The Doctrine of Necessity Examined |
| The Law of Mind |
| Man’s Glassy Essence |
| Evolutionary Love |
| Supplementary EssayThe Pragmatism of Peirce, By John Dewey |
| Semiótica PARTE I |
| A. DE PRINCÍPIOS DE FILOSOFIA |
| 1. ESPÉCIES DE RACIOCÍNIO. |
| 2. TRÍADES |
| 1. A tríade no raciocínio. |
| 2. A tríade na metafísica. |
| 3. A tríade na psicologia |
| B.DE ELEMENTOS DE LÓGICA |
| 1. SINOPSE PARCIAL DE UMA PROPOSTA PARA UM TRABALHO SOBRE LÓGICA. |
| 1. Originalidade, obsistência e transuasão |
| 2. Termos, proposições e argumentos |
| 3. Clareza de idéias |
| 4. Abdução, Dedução e Indução |
| 5. Retórica especulativa |
| 2. A ÉTICA DA TERMINOLOGIA |
| 3. DIVISÃO DOS SIGNOS |
| 1. Fundamento, objeto e interpretante |
| 2. Os signos e seus objetos |
| 3. Divisão das relações triádicas |
| 4. Uma tricotomia dos signos |
| 5. Uma segunda tricotomia dos signos |
| 6. Uma terceira tricotomia dos signos |
| 7. Dez classes de signos |
| 8. Signos degenerados |
| 9. A tricotomia dos argumentos. |
| 10. Tipos de proposição |
| 11. Representar |
| 4. ÍCONE, ÍNDICE E SÍMBOLO |
| 1. Ícones e Hipoícones. |
| 2. Indices genuínos e degenerados. |
| 3. A natureza dos símbolos. |
| 4. Signo |
| 5. Indice |
| 6. Símbolo |
| 5. PROPOSIÇÕES |
| 1. As características dos dicissignos |
| 2. Sujeitos e predicados |
| 3. Dicotomias das proposições |
| 4. Uma interpretação pragmática do sujeito lógico |
| 5. A natureza da asserção |
| 6. Proposições e argumentos rudimentares |
| 7. Sujeito |
| 8. Predicado |
| 9. Predicação |
| 10. Quantidade |
| 11. Universal |
| 12. Particular |
| 13. Qualidade |
| 14. Negação |
| 15. Limitativo |
| 16. Modalidade |
| 6. TERMOS |
| 1. Que estas concepções não são tão modernas quanto têm sido representadas |
| 2. Dos diferentes termos aplicados às quantidades da extensão e compreensão |
| 3. Dos diferentes sentidos nos quais os termos extensão e compreensão têm sido aceitos |
| 4. Negações da proporcionalidade inversa das duas quantidades e sugestões de um terceira quantidade |
| 5. Três principais sentidos em que compreensão e extensão serão consideradas neste ensaio |
| 6. As concepções de qualidade, relação e representação, aplicadas a este assunto |
| 7. Suplemento de 1893 |
| 7.1. Significação e aplicação |
| 7. A TEORIA GRAMATICAL DO JUÍZO E DA INFERÊNCIA |
| 1. Juízos. |
| 8. A BASELÓGICA DA INFERÊNCIA SINTÉTICA. |
| 9. O QUE É O SIGNIFICADO?, DE LADY WELBY. |
| C. DE CORRESPONDENCIA |
| 1. SIGNOS |
| PARTE II |
| A. DEAPOLOGIA DO PRAGMATISMO |
| 1. GRAFOS E SIGNOS |
| 2. UNIVERSOS E PREDICAMENTOS |
| B. DE PRAGMATISMO E PRAGMATICISMO |
| 1.A CONSTRUÇÃO ARQUITETÔNICA DO PRAGMATISMO |
| 2. OS TRÊS TIPOS DO BEM |
| 1. As divisões da filosofia |
| 2. O bem ético e o bem estético. |
| 3. O bem da lógica. |
| 3.TRÊS TIPOS DE RACIOCÍNIO |
| 1. Juízos perceptivos e generalidade |
| 2. O plano e os estágios do raciocínio |
| 3. Raciocínio indutivo |
| 4. Instinto e abdução |
| 5. Significado de um argumento |
| 4. PRAGMATISMO E ABDUÇÃO |
| 1. As três proposições cotárias |
| 2. Abdução e juízos perceptivos |
| 3. Pragmatismo - A lógica da abdução |
| 4. As duas funções do pragmatismo |
| 5. QUESTÕES REFERENTES A CERTAS FACULDADES REIVINDICADAS PELO HOMEM |
| 6. ALGUMAS CONSEQUÊNCIAS DE QUATRO INCAPACIDADES |
| 1. O espírito do cartesianismo |
| 2. Ação Mental |
| 3.Signos-pensamento |
| 7.O QUE É O PRAGMATISMO |
| 1. A concepção de asserção dos experimentalistas |
| 2. Nomenclatura filosófica |
| 3. Pragmaticismo |
| 4. Pragmaticismo e o idealismo absoluto hegeliano. |
| C. DE FILOSOFIA DO ESPÍRITO |
| I. CONSCIÊNCIA E LINGUAGEM |
| D. DE RESENHAS |
| 1. THE WORKS OF GEORGE BERKELEY: A EDIÇÃO DE FRASER |
| 2. A formulação do realismo |
| 3. Scatus, Ocam e Hobbes |
| 4. A filosofia de Berkeley |
| 5. Ciência e realismo |
| Peirce on Perception and Reasoning: From Icons to Logic |
| 1 What Do We Perceive? How Peirce “Expands Our Perception” |
| 2 Perception as Inference |
| 3 Inferential Modeling of Percept Formation: Peirce’s Fourth Cotary Proposition |
| 4 Idealism Operationalized: How Peirce’s Pragmatism Can Help Explicate and Motivate the Possibly Surprising Idea of Reality as Representational |
| 5 The Iconic Ground of Gestures: Peirce, Wittgenstein, and Foucault |
| 6 Foundations for Semeiotic Aesthetics: Mimesis and Iconicity |
| 7 Semiotics, Schemata, Diagrams, and Graphs: A New Form of Diagrammatic Kantism by Peirce |
| 8 The Chemistry of Relations: Peirce, Perspicuous Representations, and Experiments with Diagrams |
| 9 Graphs as Images vs Graphs as Diagrams: A Problem at the Intersection of Semiotics and Didatics |
| 10 C S Peirce and the Teaching of Drawing |
| 11 What Is Behind the Logic of Scientific Discovery? Aristotle and Charles S Peirce on Imagination |
| 12 The Iconic Peirce: Geometry, Spatial Intuition, and Visual Imagination |
| 13 Two Dogmas of Diagrammatic Reasoning: A View from Existential Graphs |
Cinema and Semiotic: Peirce and film Aesthetics
Introduction
1 On Signs, Categories, and Reality and How They Relate to Cinema
1.1 The Use of Signs
1.2 The Construction of Meaning
1.3 Investigating Conduct as a Form
1.4 The Categories of Behaviour
1.5 The Categorial Form of Behaviour
1.6 Logic of Relations
1.7 The Metaphysics of Pragmaticistic Semiotic
2 Semiotic and Its Practical Use for Cinema
2.1 Cinema ‘Is’ a Class of Sign
2.2 The Iconism of Cinema: A first Semiotic Approach
2.3 (From Film Pragmatics to) The Pragmaticism of Cinema
3 What ‘Is’ Cinema?
3.1 Cinema ‘Is’ Syntagma
3.2 Cinema ‘Is’ Sign Function
3.3 Cinema ‘Is’ Percept
3.4 Cinema ‘Is’ Moving Matter or Time
3.5 What Cinema Becomes: Theory Objects Compared, Reconciled, Rejected
Intermezzo: Cinematic Imagination of Godard’s Je vous salue, Marie
4 Narration in Film and Film Theory
4.1 The Narratological Question, Peirce, and Cinema
4.2 The Semiotic of Narrative Time
4.3 Cinematic Time
Intermezzo: Two Kinds of Narrative Time in Dreyer’s Ordet
5 Narration, Time, and Narratologies
5.1 Ricoeur’s Mimesis
5.2 Heidegger’s Ekstasis
5.3 Aristotle’s Poesis
5.4 Greimas’s Semiosis
5.5 Bordwell’s Formalism
5.6 Olmi’s Genesi
6 Enunciation in Cinema
6.1 Enunciation: From Vagueness to Generality
6.2 Narrative Enunciation
6.3 Rhetorical Enunciation in Cinema: Meaning in Figures
6.4 Aesthetic Enunciation in Film
Epilogue: Two Aesthetic Processes in Cinema
Conclusion
Notes
Bibliography
Filmography
Charles S. Peirce’s Philosophy of Signs: Essays in Comparative Semiotics
Introduction Peirce Compared: Directions for Use
Part One Semeiotic as Philosophy
- Peirce’s New Philosophical Paradigms
- Peirce’s Philosophy of Semeiotic
- Peirce’s First Pragmatic Papers (1877–1878): the french version and the paris commune
Part Two Semeiotic as Semiotics - Sign: Semiosis and Representamen
- Sign: The Concept and Its Use
Part Three Comparative Semiotics - Semiotics and Logic: A Reply to Jerzy Pelc
- Semeiotic and Greek Logic: Peirce and Philodemus
- Semeiotic and Signi¤cs: Peirce and Lady Welby
- Semeiotic and Semiology: Peirce and Saussure
- Semeiotic and Semiotics: Peirce and Morris
- Semeiotic and Linguistics: Peirce and Jakobson
- Semeiotic and Communication—Peirce and McLuhan: Media between Balnibarbi and Plato’s Cave
- Semeiotic and Epistemology: Peirce, Frege, and Wittgenstein
Part Four Comparative Metaphysics - Gnoseology—Perceiving and Knowing: Peirce, Wittgenstein, and Gestalttheorie
- Ontology—Transcendentals of or without Being:Peirce versus Aristotle and Thomas Aquinas
- Cosmology—Chaos and Chance within Order and Continuity: Peirce between Plato and Darwin
- Theology—The Reality of God: Peirce’s Triune God and the Church’s Trinity
Conclusion—Peirce:
A Lateral View
A General Introduction to the Semeiotic of Charles Sanders Peirce
Preface
- The Discipline of Semeiotic
- Semeiotic Grammar
- Critical Logic
- Universal Rhetoric
The Origins of Pragmatism: Studies in the Philosophy of Charles Sanders Peirce and William James
CHARLES SANDERS PEIRCE
I INTRODUCTION
2 THE BAsEs oF PEIRcE’s PRAGMATISM
A His Theory of Truth
B His Theory of Meaning
I What is Belief?
2 Operations on Concepts
3 Concessions to Realism
3 PEIRcE’s PHILosoPHY OF SciENCE
A The Three Kinds ofReasoning
B The Justification of Induction
C The Factor of Chance
4 PEIRCE’s CATEGORIES AND His THEORY OF SIGNS
A The Three Categories
I Feeling and Perception
2 Facts and Laws
B The Interpretation of Signs
C The Divisions of Signs
I Types and Tokens
2 Icons, Indices and Symbols
3 Propositions and their Subjects
D Appraisal ofPeirce’s Theory of Signs
WILLIAM JAMES
INTRODUCTION
THE WILL TO BELIEVE AND THE PRAGMATIC
THEORY OF TRUTH
A James’s Emotional Commitments
B The Nature ofTruth
I Truth in Relation to Matters of Fact
2 A priori Truths
3 Moral and AestheticJudgements
C The Will and its Freedom
D The Place ofReligious Belief
RADICAL EMPIRICISM
A The Data of Experience
I Sensation and Perception
2 The Genesis of Space
3 The Genesis of Time
4 The Analysis ofMemory
B The Knower and the Known
I The Concept of the Self
2 A Theory of Personal Identity
3 Percepts and Concepts
C The Construction of the Physical World
I Experiences in their Double Aspect
2 The Basis of the Construction
3 The Question of Privacy
4 The Construction Outlined
5 On What There Is
Index